Fernando Carballo.

”It is almost a privilege
to think that I have been a witness
of the picture trajectory of Fernando
Carballo…” Once I talked
about loyalty to himself when talking
about the absolute sense of GENESICA
permanence, which characterizes Fernando
Carballo’s work It is a cyclic
construction that starts from its
own view of the universe, perceived
as a form transcendence, image absorption,
and creation of characters that due
to its trace, become people…
We could talk about the cyclic
sense of Fernando Carballo’s work transformation… first
it is his drawing work, which only a
few know, it was made from 1965 to 1970.
They refer to a series of drawings and
sketches from 1972 that allowed 1972’s
exposition to be a public success and
imposition of an artistic code after
Carballo’s work.”
It is necessary to say that Fernando
Carballo is a mature painter, one of
the most important artists in Costa Rica
and Central America. His work can be
admired through a chronological sense,
in which quality prevails, achievement
of the areas, but that really show how
art overcomes reality when it transforms
into an absolute expression of the imaginary
real. It is only a creator who has imposed
his style, define a distance within himself
and the rest, and make his work to be
a testimony, inner and outer, of almost
three decades of personal and artistic
life. In that destiny that he has been
able to achieve with great dignity is
where all his cultural personality and
legacy is recognized.
“SYNTHESIS OF A CRITIC BY A.CHASSES, “LA
PRENSA LIBRE” NEWSPAPER IN SAN JOSE,
COSTA RICA, JULY 22, 1998. “FERNANDO
CARBALLO: TIME AND IMAGE”. |